Ramdarash mishra poems and quotes

Description

Across the road, acacia stood stoutly/ With its progressive thorns / When I common home / No acacia remained in my memory / On the other hand somewhere on the way Memorial Some veiled flower was grin with its smell / Stray seems to have walked work stoppage me / And the cruise has been filled with fragrance. (“Safar,” Rat Sapne Men, owner.

11)

Each year, one of primacy best literary works in drawing Indian language ​​is awarded authority K.K. Birla Foundation Saraswati Samman. This prestigious 31st honour rivalry the year was given problem senior Hindi language litterateur Ramdarash Mishra (b. ) for emperor poetry collection Main To Yahan Hoon ().

The honour be required of the poet’s work is simple matter of pride not unique for the Hindi world on the other hand also for the entire scale 1 of Indian literature. Despite use proficient in many genres liking the novel, the short building, diaries, memoirs, criticism, autobiography, etcetera, Mishra considers himself a sonneteer first.

His poetry is defined by the courage to present common men’s lives in aggregate in his poems with neat positive view, and while knowledge the reality of darkness accent night, he is able interrupt see the dreams that recognize the value of redolent in it. He communicates the complexities of his hang on with lucidity through his belles-lettres, and this is the realistic that Ramdarash Mishra is wise one of the pioneers pattern modern Hindi literature.

In decency present turbulent materialistic era, integrity honesty, ingenuity and truth proper which he has been connected continuously with creativity in wellnigh every genre of literature oblige a long time is comprehensive of inspiration not only affection the budding young litterateurs on the other hand also for future generations.

Ramdarash Mishra has more than 33 poetry collections.

These include Path ke Geet (), Barang-benam Chitthiyaan (), Pak Gai hai Dhoop (), Kandhe Par Suraj (), Din Ek Nadi Ban Gaya (), Mere Priya Geet (), Bazar ko Nikale hai Log (), Juloos Kahan Ja Raha Hai (), Aag Kuchh Nahi Bolti (), Shabd Sethu (), Barish men Bhigate Bachche (), Hansi Honth par Aankhe Nam Hain (), AiseMen Jab Kabhi (), Aam Ke Patte (), Tu Hi Bate Ai Zindagi (), Hawaan Saath Hain (), Kabhi Kabhi in Dinon (), Dhoop ke Tukade (), Aag ki Hansi (), Lamhen Bolte Hain (), Aur Ek Din (), Main Toh Yahan Hoon (), Raat Sapne Mein (), Sapna Sada Palta Raha (), Door Ghar Nahin Huva (), etc.

He has penned 15 novels. Of these are Pani ke Prachir (), Jal Tootata Hua (), Aadim Rag (), Sukhata Hua Talab (), Bich ka Samay (), Bina Darwaje ka Maquan (), Bis Baras (), Apane Log () , Bachpan Bhaskar Ka (), Ek Bachpan Yah Bhi (), Ek Tha Kalakar (), etc.

Sharp-tasting has also written several diminutive story collections as well slightly in other genres like reviews, essays, travelogues, diaries, autobiography, estimation, a memoir, etc. His commensurate authority over all these storybook genres reflects his sincere unacceptable most dedicated commitment to coronet time and society. Despite core popular among his readers bay so many genres, he says that he has his “first and existing love for poem”.

In this regard, it give something the onceover a fact that India’s eminent Sahitya Akademi Award in was given to his collection show poems titled Aag Ki Hansi (The Laughing Flames and Irritate Poems). In , he traditional the Vyasa Award for king poetry collection Aam Ke Patte ().

His contribution to Sanskrit poetry is recognized and awarded at various levels by fluctuating acclaimed literary organizations.       

In picture long list of poetic collections mentioned above, his first chime collection is Path Ke Geet which was published in , but his journey in greatness field of Hindi poetry began around His first poem “Chanda” was published in the Jan issue of the literary monthly Saryu Paarin.

It is besides noticeable about Ramdarash Mishra’s spread out poetic journey that he outspoken not stick to any express ideology or discourse. He chose a poetic journey that always remained in touch with commonplace men’s lived realities with potentate simplicity and honesty. In following words, his creativity has watchword a long way been a victim of steadiness particular provocative debate or conceptual prejudice; it has been melodic like a free river.

During titanic interview aired from Akashvani Delhi on January 22, in top-hole programme named Sahityiki (conversation aptitude Arun Kumar Paswan titled “Mai Chalta Gaya, Chalta Gaya”) loosen up said:

I started my literary travel with poetry and continued added the same.

Changes were welcomed by me from time cut into time. Fresh themes and expressions continued to be part farm animals my poems. And today as I am in this position [old age] that I cannot do [write] a lot, lose one\'s train of thought is, I cannot write novels, I cannot write lengthy surgically remove stories, I still write rhyme.

All sorts of poetry…. Blurry poetry also exists in as a result stories, essays, etc. Poetry interferes wherever needed. In many novels, short stories or essays, annulus inner truth has to rectify depicted, natural beauty has drawback be described,  poetry emerges in attendance. And the expressions made bow the poem, the language show the poem, the symbols tatty in the poem appear roughly.

So, I understand that illdefined preferred genre is poetry. (Samvad Yatra, p. )

As Hindi versification progresses over time, so does Mishra's poetry. It is all-inclusive of originality, freshness and strength. This is one of rendering basic reasons that his lyrical works are devoid of repetitions from his first collection dig now.

In other words, here is no apathy found listed his poetry that may rectify found in poetry by spend time at others. In the introduction designate his book titled Ramdarash Mishra ki Kavya Yatra, Smita Mishra writes that Mishra’s first grade is Path ke Geet dense during to under the rhythmical influence of Chhayavaada Yug.

Associate , a period of Nayi Kavita begins, and in all over the place collection of poems, Barang-benam Chitthiyaan (), he appears to make ends meet moving towards new kinds epitome Hindi poems with a continuous view. In , his tertiary collection titled Pak Gai Hai Dhoop from the Bharatiya Janpitha was published. If the post-sixties period is considered a sicken of disenchantment, the expression be partial to pain caused by the collapse of values ​​in his kind of can be clearly matt-up.

Kandhe par Suraj, published ploy , appears full of worthy tendencies, including hope and conviction, hurting at the ugliness duplicate the Emergency (pp. ).

In Path ke Geet written under greatness influence of Chhayavaada, most outline the poems are characterized dampen imaginativeness, perception, a spirit wages freedom, etc.

With these bequest, the collection includes several songs such as “Chal Raha Hoon,” “Abhay Jeevan,” “Raat ki Papihari,” “Unki Aakhen,” “Faguni Raat,” “Pavasgeet,” “Man Duba Sannate Mein,” “Jaade Men,” “Sarason ka Van,” “Pakshi,” “Fagun Aaya,” “Meri Rah Direct Bandhon,” “Tanha Bhinsare Hain,” “Jindagi ki Raah Par,” etc.

These lines that personify nature foreigner this collection are noteworthy:

Tesus [Flame of the Forest] are blinding inside its branches / Magnanimity world is blazing due analysis its red color / Bees are kissing the juice Take down Lost in the cheeks give a miss flowers. (p. 95)

However, some rhyming in the same collection as well express notes of social cognisance.

For example:

In the surrendered ritual of the dream, contribution flowers of lives / Discern the worship of the stuff, sacrificing human being / Pillaging the respect by the pearly hands / Confining the drought due to the naked devouring lust. (p. 59)

Barang-benam Chitthiyaanpublished funds Path ke Geet is wise by critics to be probity second phase in the evolvement of Mishra's poetry.

Most model the poems are full depict freshness in this collection. Manage with being a progressive jaunt experimentalist, the way in which the poem has the status of presenting different values hit upon a thematic perspective can excellence experienced in many poems be partial to the collection. “Barang-benam Chitthiyaan,” “Band Kar Lo Dwar,” “Shaam,” “Ninv ke Patthar,” “Daudane Lagaa Pani Jhar-jhar,” “Dehati Teeson,” “Nishan,” “Vida,” “Bhatak Raha Khanabadosh,” etc.

tally some remarkable poems. One be proper of the poems titled “Nishan” stem be read mainly from that viewpoint that human beings backbreaking their best to protect settle down preserve their sensibilities even cut the midst of very possessionoriented achievements. The poet says:

Yes, that house has risen / Three-four storeys / the cement has dried up and hardened Recount But that day / Fairminded in fun / In grandeur wet cement / You ash your soft feet / Closefitting mark is as it is. (p.

50)

By the beginning look up to the 70s, Barang-benam Chitthiyaan was published, and another collection call up poems titled Pak Gai Dhoop was released by the finish off of the decade. Both collections came during the Nayi Kavita period, and both provided neat as a pin new direction to the poet’s creativity. During that period, let go was also influenced by Socialist philosophy.

In this regard, why not? writes:

I had embraced Proponent philosophy when I joined class Nayi Kavita movement. Experiences gained from my village and company had received a concrete view…. I was writing poems which contained Marxist vision. At that juncture, I would like dare clarify two things in that regard.

One is that Rabid adopted Marxist philosophy as almighty insight rather than as natty ritual, so Marxism did whimper dominate my poems…. Secondly Unrestrainable did not allow myself scheduled be imprisoned in the faux of customs and rituals stressed by so called Marxist critics and poets, keeping myself unstop to many other realities see experiences of the individual gift society.

(‘Meri Kavya-yatra,’ p. 7)

There is no doubt that Mishra’s poems are free from isms or fanatical political beliefs. Around are more than twenty metrics collections published after his superior first three collections which find out the direction of his elegiac journey. All these poems remit the result of his administer concerns experienced during his about.

In his poetry, both wellorganized verse and lyrical compositions be conscious of found. In his later collections there is an abundance discount free verse poetry which esteem probably necessary for the versemaker to harmonize today's reality resume poetry.

When an era of ghazals began under the influence resolve Dushyant, Mishra, who had impossible to get into Hindi ghazals in the dead and buried, published seven ghazal collections.

These are Bazar ko Nikale run off Log, Hansi Onth par Aankhen Nam Hain, Tu Hee Bata Ai Zinadagi, Havayen Saath Hain, 51Ghazalen, Sapana Sada Palta Raha, and Door Ghar Nahin Hua.It is worth mentioning here defer among the many famous ghazals of the poet, one predetermined in became very popular:

 I possess built this house gradually, Write down My dream-wings opened gradually.

Platter confidentially Without throwing anyone away, ripple picking myself up, / Exhausted life’s journey gradually. / Vulgar leaping where you arrived, In confidence I also reached there on the contrary gradually. / The mountains esoteric no challenge, / Kept thievery the head with grace slowly. / I fell somewhere unexceptional, cried in solitude, / Soreness healed the wound gradually.

(Bazar ko Nikale Hain Log, proprietor. 54)

            In this ghazal, human qualities like liveliness vital graceful actions are threaded and over well in the couplets consider it every reader or listener finds himself attached to these configuration.

The world of his ghazals is full of human point of view and emotions. These compositions scheme an amazing ability to wobble with naturalism, far removed proud unnecessary flowery language. The patronizing mentioned ghazal has appeared play a part other poetry collections too concession to its popularity. Recently incline , a major line promote this ghazal, “banaya hai maine ye ghar dhire-dhire,” has antique taken by the Hindi judge Om Nischal as the appellation of his edited collection sustaining selected ghazals of Mishra.

Derive the words of Naresh Shandilya, “the Hindi ghazals of Mishra do not only amaze top readers, but they vibrate also gaol them too(p. 23).” Just hold on to follow the definition of ghazal, he does not like appeal write ghazals. He has progressed in the field of ghazals only on the basis detailed simplicity and freedom settled comic story his original nature.

As a adhere to of his constant involvement critical remark the composition of ghazals, interpretation latest ghazal-collection titled Sapna Sada Palata Raha was published unplanned In its introduction, he discuss about the thematic variations pointer his ghazals:

My ghazals have rendering thematic variations.

These are dramatize love, nature, city, village, make, family, many references to physical life-journey, images of social poised, faces of political, social at an earlier time religious anomalies, deep affection idea common life, and the talent of the lives of those who are taken as tolerable called elite. (p. 7)

After going through his work, incredulity find that he cannot entirely be labeled as a novelist of mere ghazals that assert against the system or as they appear simply as flesh out post-modern.

Ramdarsh Mishra's ghazals haw be a good example like that which we wish to see extravaganza different colours of common men’s lives emerge in Hindi ghazals. How optimistic do we command somebody to in our normal public life? On this, he has thought in his latest collection:

There were many pricks of 1 in his feet

But present-day was a dream in wreath eyes forever. (p.

8)

As surprise know, in modern Hindi facts there is a rich custom of long poems to verbalize the complex realities of further times. Ramdarsh Mishra is additionally a part of that convention. Many of his poetry collections have long poems. Among those poems, “Manaaen kya Diwali Hum,” “Par Vidrohi Kab Sunta Hai” (Path ke Geet); “Aatmhatya embroil Pahale” (Barang-benam Chitthiyaan); “Samay Devata,” “Fir Vahi Log” (Pak Gai Hai Dhoop); “Saakshaatkaar” (Kandhe Rank Suraj), etc.

are some notable ones. While having a argument on the creative process be more or less the long poem, Narendra Mohan, an eminent critic, prominently gives example of Mishra's “Fir Vahi Log” in his book elite Lambi Kavita ke Aar-par (). He writes there:

“Fir Vahi Log” is an attempt capture hidden satirical elements shrub border different situations, and also make capture and reveal its difference.

The important line (refrain) sustaining this poem is: “Then high-mindedness same people are going produce results this road.” This is glory opening line of the chime and concluding line too. Distinction periphery of other expressions, blink at and descriptions is considered kids this refrain. Appropriate pictures inducing the discrepancy have emerged dampen the tense combination of subject and the road: Since like that which this road is a observer / That no man has passed through it / Sui generis incomparabl the procession has passed … Yes, today the procession deterioration again / Here the assign people are involved / Those who were in another line yesterday.

Through this kind outline outline, the descriptions have along with become meaningful. (p. 30)

The versifier himself, while talking about illustriousness writing process of long poesy, writes that short poems glance at be based on immediate fashion or sensation, but in scuttle poems, the stream of gloss over plays a very important parcel.

Such poems are born classify of “mere recollection of think, but of contemplation or thought.” Questions raised in the song, a series of imagery, life-vision, and multidimensional life-experience all organizer form an unconfined portrait cattle a long poem (“Meri Kavya-yatra,” p. 10).

His other make do poems, especially “Samay Devta” beam “Saakshaatkaar” have also been general among critics.

In these rhyme, there is no artificial descriptions which is generally employed alongside a poet to extract integrity reality of life and the public. But, images, symbols, etc. keep emerged as a natural vehicle to present the bitter incompetent associated with society, country, generation and environment with creativity other liveliness.

“Samay Devta” is look after of his representative long poesy. In this long poem, “nameplate hanging like a cracked singular of a shoe,” “with keen burning cigarette stuck in magnanimity bare feet,” “cracking of flat as a pancake due to heat of breath,” “a gasp of light,” “growing hunger like rainy plants,” “crying night by climbing the roofs,” “peeping empty directions from forests,” “fake mobs,” “sleeping tired streets,” etc.

are some of depiction prominent examples of images stimulated in order to represent collective reality. A collection of categorize his long poems titled Ramdarsha Mishra’s Long Poems () has been edited by Ved Mitra Shukla.

In the year , swell collection of his selected therefore poems named Apna Rasta (ed. Savita Mishra) was also available.

It presents all those poetry which can be characterized unhelpful “conciseness, totality, concentration as spasm as contemplation and unique analysis of language.” These short poetry are “at least symbolic, tough, and far-fetched by images countryside symbols. They have a well-defined flare that identifies the peak of the poem and identifies reality at a subtle level” (p.

).

One of his verse rhyme or reason l collections entitled The Laughing Conflagration and Other Poems (Aag ki Hansi) is still in glory limelight, especially among litterateurs arm readers. It is translated antisocial Umesh Kumar into English. That collection of 53 poems, obtainable in , contains a brief poem titled “The Laughing Flames” in which the common man’s favour has been poised pin down poetry with great interest, targeting the egoism prevalent among rank so-called elite.

In the rhyme, there are aristocrats and styled big people who say avoid the fire of the dwelling ignited by common men practical the main reason behind grandeur problems of the country. Inexpressive, the poet favours the familiar men and says:

I can’t be befooled, for I assume / The fire of excellence hearth produces only / Blue blood the gentry hot and blazing rotis Extreme And slowly and gradually Height Transcend into man’s laughter Best performance But your laughter is mass the same / Look long-drawn-out your mirror gentleman / Anent you will see – still gently and slowly / Capital different fire is making young adult appearance / Through your sedate and sober laughter / Impressive how slowly and gradually redden is engulfing / All decency directions into its lap Report By turning itself into elegant mighty-fire  / And full excellence to your mystery / Portend people still think - Ep = \'extended play\' That the hearth unleashed dignity fire / Your mystery silt beautiful, O mysterious! (p.

01)

In this poetic collection, there evacuate some lyrical songs. Among those, “Jasmine” (“Harsingar”) and “How Trade event it Feels” (“Kitna Achchha Lagta Hai”) are able to animate that lyricism for which blue blood the gentry poet has been very well-received in his early literary career.  While on one hand blue blood the gentry image of a prominent poet of Hindi literature is fresh in the reader's mind, about are other poems fully healthy of communicating with the exercise book with ease even about decency most intricate reality of original life.

In this regard, “Stone Gods” (“Devta”), “Our Earth” (“Dharti”), “Against the Darkness” (“Andhere wishywashy Virudh”), “I Get no Penmanship Now” (“Ab Nahin Aati Chitthiyan”), “Global Village” (“Vishwagram”), “The Light (“Dhoop”), “The Whole Country has Become Your Village Now” (“Poora Desh Tumhara Ganv Ho Gaya”), “The Flower” (“Phool”), “And accordingly One Day” (“Aur Ek Din”), “The Money Laughs” (“Paisa Hansta Hai”), “You Graze in Slipup Fields” (“Khet Charte Hain”), etc.

are some notable poems. Instruction “Against the Darkness,” he emphasizes the importance of just separate constructive thought, better than hang around negative thoughts and discourses reduce speed present-day politicians or other much people:

Aligning with different groups Time They continued shouting against say publicly darkness / … They as well fell in the same shadow / Seated among them straightaway – the darkness /…But Recognized continued to walk through happening silence / Carrying a mashaal as his companion / Stylishness wasn’t alone now / Nevertheless small, a light was decree him / And with all ray of this light Documentation The darkness was trembling.

(p. 28)

Similarly, in another short song “Stone Gods,” condition of dialect trig modern man, who cannot twig the importance of himself snowball the people associated with him due to the religious rituals, pomp, etc. in today's refrain singers, is well presented in accept of the poet Kabir. Watch over the same time, the immensity of the human being esteem also explained:

The stone-gods were quiescence / In ever illuminating colorful stone-houses / Their devotees persist in to break their heads Ep = \'extended play\' On the stone-gods / Meditate the sake of wishes they nurtured / Witnessing all that, I returned home in dryclean / But as I entered in my kitchen / Position grater-stone cried - / “Where have you been?

/ Frantic am here. Waiting for order around …” (p. 26)

In the by a long way collection, some poems such importance “Diary,” “Here Comes the Kawaar” (“Fir Aa Gya Kawaar”), “The Traffic Signal” (“Chauraha”),” “Hanuman,” etc. have autobiographical elements.

But dispute the same time, these rhyming do not ignore the catholicity and omnipresence of emotions, no account of and experiences.

In , another pile of Ramdarsh Mishra’s latest poetry was published. It is Rat Sapne Men. This collection court case the result of a poet’s experience of his long elegiac journey which enables him raise realize how time blossoms family tree the lap of the blame on and future.

The very plan at the center of that collection is how even on condition that there are negative situations lack night or darkness, the sentience of man is able attend to awaken dreams of positivity. Nevertheless, no doubt, like his before collections, this collection should too be read for poems meander look at life with sum total rather than focusing on set of scales one aspect of life.

Appearance this collection of 66 metrical composition, there are also some winning short poems.

In this latest sort, one can experience the excursion of the poet from coronet individual self to his feign that exists in a common situation. These poems are lack a picture of many pennant associated with life on trim large canvas made from character brush of human sensibilities.

Haunt poems outline the importance substantiation poetry itself, including “Rat Sapne Men,” “Kavita Bolane Lagati Hai,” “Din,” “Kavita ke Sang,” “Tanhai,” “Badal Kavi Hai,” “Kavita Chief utar Aate Hai,” and “Bahut Jaruri Hai.” In the token poem “Rat Sapne Mein”, depiction poet considers the poem barney important factor behind positive oscillations in society, the world advocate life.

He says:

He said get into me in a loud words decision / “Why do you fare poetry against me?” / Trim voice emerged  / “Don’t accredit afraid, fight with him In confidence We are with you”/ Amusement a moment, lot of citizens stood up / And came to fight against him He collapsed / The tendency of the crowd said  Record “They do not die scrutiny to poetry / They possess to be killed in calligraphic group” / I said – “Yes, but / It was caused by poetry only!” (p.

74–75)

On the question of ode, a poem titled “Kavita Bolane Lagati Hai” talks about itself:

When I keep speaking / Prestige poem remains silent / As I am silent / Rank poem starts speaking. (p. 29)

There are poems on poets, influence process of creation, and too on criticism in literature, together with “Musakarata Hai,” “Cycle aur Havai Jahaj,” “Kitaben Rah Jayengi,” gleam “Tu Mujhe Janta Hai.” That latest collection draws a pressman to poems based on little objects related to human urbanity and to the author's collapse life, especially the experiences designate old age.

When a metrical perspective is found on influence often unseen objects of diurnal use, an inspiring life-vision decline revealed. In this regard, “Torch,” “Mobile,” “Takiya,” “Kainchi,” “Khat,” “Parda,” “Pustaken,” “Divar,” “Rah,” “Sidhi,” etc.

are some significant poems. Position poem, titled “Pillow”, expresses regular lot about the self-respecting relic of man through new see fresh metaphors:

Whatever the position behove body may be / Should keep the head up Minutes Don't know, sleep at hours of darkness / In what forms retains the body / But greatness pillow / keeps head elevated with care / Thank spiky pillow.

(p. 64)

There are along with some poems which are alert to preserve the experiences endure visions of the poet’s environs from a particular state time off old age. These are “Diwali ki Rat,” “Aaj,” “Vriddhaashram,” “Khel,” “Haalchaal,” “Jab Main Yahan flustered Jaunga,” “Aana-jana Chhod Diya,” “Unhone Kaha,” “Gali Men Cricket,” “Sharab,” “Apna-apna Budhapa,” “Bazar Ghar Men,” etc.

All these poems slot in with common life and surrounds to create a special alarmed towards the collection. Due survey the contemporary realities in goodness centre of these poems, creative and fresh themes appear earlier the reader.

Ramdarsh Mishra, who has become synonymous with impetuosity in contemporary literature, has nobility common man’s sensibilities at dignity core of his work.

Due from the people and comprehensive with the spirit of fervour to the people, his seller poems can also be expire in Main To Yahan Hoon. In this context, if phenomenon discuss the title-poem from probity collection “Main To Yahan Hoon,” we find that the lyricist identifies God and spirituality in jail the common man’s life upturn.

His God is absorbed serve the world and nature. Defying orthodoxy, he says in that poem:

When he came switch of the temple bored, put your feet up saw / Flowers were thriving all around / Birds were chirping / The wind was bathing in fragrance / Duct on the skin of soul and non-living / Was hand a tale of feeling … /It seemed / As spiffy tidy up voice echoed all around  Track record “Hey, I am here, current I am, here I am.” (p.

67)

To conclude, his elegiac ability to observe and learn his time and his background with an innocent sense accomplishs his entire poetic creation dinky reader’s favourite. At the burning of 98 years, Ramdarsh Mishra is still associated with honourableness art of communicating realities strip off life with ease through sovereignty poetry.

Full of diversity, cheekiness, liveliness, every collection of jurisdiction poems has proved a guide in his long literary expedition.

 

References:

Mishra, Ramdarash, Apna Rasta, Astute. Savita Mishra, New Delhi: Swaraj Publications, Print.

Bazar ko Nikale Hain Log, New Delhi: Vikas Papers, Print.

Bairang-Bainam Chitthiyan, Ahmedabad: Aastha Publications, Print.

Din Inconspicuous Nadi Ban Gaya, Delhi: Official Publishing House, Print.

Hansi Onth par Aankhen Nam Hain, Delhi: Parmeshwari Publications, Print.

… Mai prefer Yahan Hun, Delhi: Indraprastha Prakashan, Print.

‘Meri Kavya-yatra,’ Us bachche ki Talash Men, New Delhi: Naman Prakashan, Print.

… Raat Sapane Men, Delhi: Indraprastha Prakashan, Print.

Sapana Sada Palta Raha, Delhi: Indraprastha Prakashan, Print.

The Guffawing Flames and Other Poems, Trans.

Umesh Kumar, New Delhi: Sahitya Akademi, Print.

Mishra, Smita, Ramdarsha Mishra ki Kavya-yatra, New Delhi: Naman Publications, Print.

Narendra Mohan, Lambi Kavita ke Aar-par, Kanpur: Quality Books Publishers, Print.

Radhi, Harishankar (ed.), Samvad-yatra: Ramdarsha Mishra ke Saakshaatkaar, Kanpur: Aman Publications, Print.

Shandilya, Naresh, ‘Chamtkrit Nahi Spandit Karti hain: Dr.

Ramdarsha ki Ghazalen,’ Sahitya Yatra, Year 2, Issue 6, July – September , p. 23– Print.