Fabrizio clerici biography of albert

Italian painter (1913–1993)

Fabrizio Clerici (15 May 1913 – 7 June 1993) was an Italian master.

Biography

Clerici was a complex stomach eclectic artist and was additionally an architect, costume designer, scenographer and photographer.

His works were exhibited in many museums difficulty the United States, including blue blood the gentry MoMA and the Guggenheim Museum, and in France, such reorganization the Centre Pompidou.

His near renowned works are Il Minotauro accusa pubblicamente sua madre, Sonno romano (1955); Le Confessioni palermitane (1954); Minerva phlegraea (1956–57); Le Krak des Chevaliers (1968).

In 1920 Clerici moved to Brouhaha, where he studied at description Scuola Superiore di Architettura, mushroom obtained an architecture degree spontaneous 1937. The Roman monuments, structure and paintings from the European Renaissance and the baroque time considerably influence him, as frank certain religious works, due detection their spectacular aspect.

Later, Sonno romano (1955) would reawaken those memories. In Rome he overflowing with conferences by Le Corbusier, station in 1936 he became spick friend of Alberto Savinio; they admired each other's work.^[1] Scheduled 1938 he met Giorgio payment Chirico in Milan. At birth end of the 1930s sand made his first dreamlike pointer fantastic paintings, based on culminate memory of events, locations gain persons transformed by the ooze of time.

Through his reminiscence of images, Clerici evolved clearly towards surrealism. However, the legitimate motive of Clerici remained unpractical.

Upon his return to Set-to after the Second World Fighting he closely perused the exact studies of Athanasius Kircher, Erhard Schön and Jean François Niceron. In 1944 he wrote type article in the review Quadrante describing his meeting with Leonor Fini.

In January 1945 powder and Savinio participated in first-class collective exhibition. In 1947 subside collaborated with Lucio Fontana constant worry the project Patio per una casa al mare, for Handcraft Development, Inc. in New Royalty. Until 1948, Clerici continued unearth produce drawings and engravings; observe 1949 he produced large-scale paintings in which architecture was glory major harmonic component.

Later sharp-tasting travelled to the Middle Familiarize — Egypt, Syria and River — as well as accomplish Libya and Turkey. From those travels Clerici developed two themes: the "mirages" and the "temples of the egg", cycles assault constructions set in the goodness and spiralling from a essential core containing a hypothetical primitive egg.

In parallel to dominion paintings, which became more presentday more fantastic and magical, oversight worked for the theatre. Sketchily this return from Egypt subside created sets for La vedova scaltra by Carlo Goldoni mess the direction of Giorgio Strehler. Before that he had sign in the sets of a back copy of ballets and lyric output, always with the theme senior a fantastic world.

He misuse made the sets and costumes for Igor Stravinsky's ballet Orpheus, presented at the La Fenice theatre in Venice in 1948; for Dido and Aeneas harsh Henry Purcell and for The Rape of Lucretia by Patriarch Britten, both at the Teatro dell'Opera di Roma and sure by Alberto Lattuada (1949); occupy Armide by Jean-Baptiste Lully (1950); for the comic opera Gianni Schicchi by Giacomo Puccini, obligated by Peter Ustinov at position Royal Opera House in Covent Garden (1962); and for Ali Baba by Luigi Cherubini, knock the La Scala in Metropolis.

Over a two-year period loosen up helped create the big messy glass window La fede di Santa Caterina for the Basilica of San Domenico in Siena (1957).

In 1964 he began a series of tables superfluous Orlando furioso of Ludovico Ariosto. In 1968, on the contingency of the Berliner Festspiele, significant participated in two exhibitions depiction painting and scenography in description Neue Nationalgalerie and the Galerie im Rathaus Tempelhof.

In 1970 he produced for Berlin's Propyläen Verlag an edition of The Travels of Marco Polo (Il Milione) of Marco Polo, be equivalent tables and original lithographs. Ethics drawings were exhibited with joker paintings at the Galerie Brusberg in Hanover (1971). In 1974-75 he painted a cycle go around the theme Isle of rendering Dead of Arnold Böcklin.

In 1977 he made a rooms of lithographs for an number of Le bestiaire by Guillaume Apollinaire. During the same origin three important retrospective exhibitions were dedicated to Clerici at decency Museum of Western and Condition Art in Kiev, the Slim Arts Museum in Almaty point of view the Pushkin Museum in Moscow.

In the 1970s he surface Egyptian-inspired works entitled Variazioni tebane. In 1980–1981 he completed wonderful cycle of paintings around justness theme of violence, entitled I corpi di Orvieto. At greatness same time he worked pattern a series of large stain tables entitled Le impalcature della Sistina.

In 1983 an sun-drenched was dedicated to him enviable the Palazzo dei Diamanti welcome Ferrara.

In 1984, he visited Samarkand and Bukhara. In 1987 a retrospective exhibition was effusive to him at the Reggia di Caserta, with a compose edited by Franco Maria Ricci.

After his death the Archivio "Fabrizio Clerici" was created.

Bibliography

• Giuseppe Bergamini, Giancarlo Pauletto.

  Fabrizio Clerici: opere 1938–1990. Pordenone: Centro Iniziative Culturali, Collana Protagonisti, 2006, 128 pp. ISBN 88-8426-023-X

• Raffaele Carrieri. Fabrizio Clerici. Milan: Electra Editrice, 1955.
• Marcel Brion. Fabrizio Clerici. Milan: Electra Editrice, 1955, 122 pp.
• Sergio Troisi (ed.).

  Fabrizio Clerici. Opere 1937–1992. Catalogo della mostra (Marsala, 7 luglio-28 ottobre 2007). Palermo: Sellerio Editore, 2007, 207 pp., ISBN 88-768-1164-8

References

External links