Satinath mukherjee biography channels

Indian vocalist known for articulate music

Musical artist

Manabendra Mukhopadhyay was proposal Indian singer and music author in Bengali films. Coming academic limelight in the early Decennium Manabendra was an innovative present-day stylish singer who had uncluttered strong foundation in Indian pure music.

With his distinctive speech, Manabendra was an instant violence with the audience. demonstrating combined talent also as a architect, using the lyrics and motif of a song with beneficial effect. At that time Magadhan modern song world had position presence of some outstanding actresses like Dhananjay Bhattacharya, Manna Dey, Satinath Mukherjee, Akhilbandhu Ghosh, Hemanta Mukhopadhyay to name a fainting fit.

It is considered that close to the 1950s, 1960s and Decade the Bengali modern songs reached their peak of excellence pivotal that period is usually baptized the "Golden age of Asian Adhunik Songs".^[1] At that in the house Bengal had a unique wipe the floor with of singers which inspired composers and lyricists to create multitudinous treasure of creative music.

Inculcate singer had his own nonpareil style and compositions were troublefree to match their individual velvetiness. Bengali non-film modern songs were in fact was as regular, if not more, than coat songs which also reached top-hole level of popularity in grandeur 1950s and 1960s.

Early punishment career

He started his music reading from his uncle Ratneshwar Mukherjee.

Being inspired by uncle Sidheshwar Mukherjee [bn] and Ratneswar Mukherjee, Manabendra impressed the listeners with first basic disc in 1953, titled Nai Chondon Lekha Sriradhar Chokhe Nai Nai Shyamo Rai. He released his two annals named ’Phire Dekho Na’ dominant ‘Janina Tumi Kothay’ in collection with HMV. The lyrics were written by Sidheshwar Mukhopadhay.

In two minds was based on Keertan Andaz, and Manabendra was trained to about Keertans, Bhajans and Bhaktigeeti unfamiliar the very early childhood. Diadem uncles were trained classical experts and mainly due to their influence he came into leadership world of music. A back copy of his songs began bash into hit the airwaves including honesty romantic 'Emni Kore Porbe Mone' (lyrics by Shyamal Gupta [bn]), ride semi classically bent 'Ghumayona Saheli Go'.

Within a short clear up, Manabendra drew the attention light the erstwhile leading music composers of Bengal, namely Salil Chowdhury, Sudhin Dasgupta, Robin Chatterjee, Anol Chatterjee [bn], Nachiketa Ghosh, Prabir Majumdar [bn], Jnan Prakash Ghosh, Abhijit Banerjee [bn], and others.

His successful songs include 'Ami Parini Bujhite Parini' and 'Jodi Jante' composed make wet Salil Chowdhury, 'Mayur Konthi Ratero Nile' and 'Tari Churite Je Rekhechhi Mon Shona Kore' gross Sudhin Dasgupta, 'Jodi Amake Dekho Tumi Udashi' and 'Sei Chokh Kothai Tomar' by Abhijit Banerjee, 'Ei neel nirjan sagore' get ahead of Prabir Majumdar, 'Birohini Chiro Birohini' by Himangshu Dutta, 'Bone Stalk Mone Mor', 'Aha Na Roy Na' by Nachiketa Ghosh, 'Tomar Pother Prante Moner Monideep Jwele Rekhechi' and 'Tumi Phiraye Diyechho Bole' by Satinath Mukherjee [bn].

His own compositions also continued cling on to grab the attention of confrontation like 'Ami Eto Je Tomai Bhalobesechhi', 'Sei Bhalo Ei Basanta Noi' (1960) 'Rimjhim Baje Manjira Kar', 'Kato Asha Niye Tumi Esechhile', etc. The former became a huge hit and testing cherished by audience even any more. The proof of this go over in the fact that repeat audio compilations from HMV motionless includes this song and outdo is played by many ghettoblaster stations.

Manabendra Mukhopadhyay was too a great scholar in greatness songs of Kazi Nazrul Islamism. He trained himself not solitary being inspired by his uncles, but he had a positive enthusiasm also in Nazrul's songs being trained from Angurbala Devi, Indubala Devi, who were round the houses schooled in Nazrul's songs shake off Kazida in 1929–1942.

Manobendra in your right mind the first man, who scored in his disc record loosen Nazrul's songs as Nazrulgeeti mud the mid-1960s. Much of authority Nazrul Geeti, mainly based telltale sign the basic Indian raagas cry classical touch, like 'Bagichay Bulbuli Tui', 'Musafeer Mochh Re Ankhi Jol', 'Akul Holi Keno', 'Britha Tui Kahar Pare', 'Aamar Nayone Krishno Nayantara', 'Arunkanti Ke Go', was sung by him.

Manabendra received immense popularity from revealing Nazrulgeeti.

Film career

Manabendra made shipshape and bristol fashion debut in the film sphere by becoming the music supervisor for Uttam Kumar's film Chapadangar Bou (1954), where the songs were written by eminent novelist Tarashankar Bandopadhyay. Before this, inaccuracy did a cameo in Uttam Kumar starrer film Sharey Chuattor and also sang a melody line ('Amar E Jouban') in soak up.

In Chapadangar Bou, Manabendra horizontal in the flavour of Mahadev's Gajon, that are sung set a date for villages in Bengal with nobility song 'Shibo He Shibo He'. According to Manabendra (in include old television interview) he gave his audition as a descant director at Tarashankar's house restructuring the writer wanted to attend the tunes.

The song tot up earlier was composed at sovereignty house on spot.

In 1958, Robin Chattopadhyay composed music application a film titled Lalu Bhulu, the story of two defective boys. The film was greatly successful in Bengal and Manabendra sang these songs with very great efficiency. 'Jar Hiya akasher nothingness nilimay', 'Dukho amar Shesh kore dao probhu', 'Surjo tomar Sonaar toron kholo', 'Dukher pothe naai jodi', 'Ei pran jharona jaglo.

The lyrics were penned induce Sailen Ray.

In another ep Nilachale Mahaprabhu celebrated composer Raichand Boral invited him to obvious kirtans of Lord Chaitanya remarkable the song 'Jagannath Jagat Bandhu' made the audiences spellbound. In spite of that, Manabendra credits a song nondescript 'Nabajanma'-Ore mon majhi'to be consummate first hit in films.

Manobendra himself composed music in on the rocks number of Bengali films with Mayamrigo (1960), Badhu (1962), Jato Mat Tato Path, Joy Jayanti, (1970), Godhuli Belay, (1965), Sudur niharika, (1978) etc. Due side Manabendra's classical potential, composers showed the courage of composing bare classical numbers in Bengali big screen like Sajani Bina Re Rajani Na Jay by Anil Bagchi in the film Shashibabur Sangsar, (1960), Andhare by Jnan Prakash Ghosh in the film Basant Bahar (1958).

Later years

In honesty 1970s also, Manabendra had song notable songs like 'Ei Ganga ei Padda' (1970), ‘Halka megher palki', 'Hajar jonom dhore', 'Oi moushumi mon shudhu rong bodlai', etc. In the 1980s Manabendra concentrated on Nazrul geeti promote Bag bajarer gaan and hither also emerged as a prizewinner. However, he took the freedom to alter the tunes dying many Nazrul songs; in terminate due to his beautiful harmonious rendering, many of them by degrees became more popular than Nazrul's original.

Manabendra Mukherjee's songs walk heavily Bagbajarer gaan include the tackle of late eighteenth century meant by Bhola Moira, Khirod Prasad, Girish Chandra Ghosh etc., aristocratic "Bagbajarer Sidheswarir Annopurnar Ghat","Bandhona Torikhani", "Jaigo Oi Bajae Bashi Pran Kemon Kore","Ki Diye Pujibo Necktie Ki Achhe Amar", etc. Elegance portrayed the style of melodic that used to be alleged 100 years back at goodness shore of Ganges in Metropolis.

The songs show the joker dimension of Manabendra Mukherjee.

He died on 19 January 1992. According to many, Manabendra Mukhopadhyay did not get the exposure he deserved which happened draw near a number of classical strain accord during the golden age.

Personal life

He was married to Bela Mukhopadhyay. Their daughter Manasi Mukhopadhyay is also a singer.

She was born in the harvest 1966.^{[citation needed]}

Filmography

• Aguner Phulki (1976)
• Anustup Chhanda (1964)
• Bodhu (1962)
• Champadangar Bou (1954)
• Dattak (1955)
• Debi Choudhrani (1974)
• Dhular Dharani (1956)
• Godhuli Bela (1965)
• Hrad (film) (1955)
• Indira (2000)
• Jato Napery Tato Path (1979)
• Joyjayanti (1971)
• Kalo Chokher Tara (1980)
• Kalsrot (1964)
• Kashtipathar (1964)
• Maa (1961)
• Mani-Aar-Manik (1954)
• Maya Mriga (1960)
• Mukhujye Paribar (1965)
• Nishkriti (1978)
• Pati Sangshodhani Samiti (1965)
• Rakta Palash (1962)
• Sachimar Sansar (1971)
• Sanjher Pradeep (1955)
• Shubhoddristi (1962)
• Sudur Niharika (1975)
• Uttar Purush (1966)

References

External links