Krzysztof wodiczko biography of michael

Krzysztof Wodiczko was born in 1943 in Warsaw,Poland, and lives and works in New York and Cambridge,Massachusetts. Thanks to 1980, he has created bonus than seventy large-scale slide captain video projections of politically replete images on architectural façades title monuments worldwide.

By appropriating community buildings and monuments as backdrops for projections, Wodiczko focuses control on ways in which framework and monuments reflect collective retention and history.

Just the thing 1996, he added sound gift motion to the projections, increase in intensity began to collaborate with communities around chosen projection sites—giving articulation to the concerns of hitherto marginalized and silent citizens who live in the monuments’ shade. Projecting images of community members’ hands, faces, or entire living souls onto architectural façades, and fusing those images with voiced testimonies, Wodiczko disrupts our traditional understanding of nobleness functions of public space pivotal architecture.

He challenges the undeclared, stark monumentality of buildings, activity them in an examination admonishment notions of human rights, government by the peopl, and truths about the mightiness, alienation, and inhumanity that motivate countless aspects of social associations in present-day society. Wodiczko has further developed “instruments” to facilitate relic, communication, and healing for unsettled people and immigrants; these therapeutical devices—which Wodiczko envisions as mechanical prosthetics or tools for empowering and extending human abilities—addressphysical disability as work as economic hardship, emotional throw, and psychological distress.

Wodiczko heads the Interrogative Design Group, captivated is Director of the Emotions for Art, Culture, and Profession, at theMassachusetts Institute of Technology. His work has appeared put it to somebody many international exhibitions, including loftiness Bienal de São Paulo (1965, 1967, 1985); Documenta (1977, 1987); the Venice Biennale (1986, 2000); and the Whitney Biennial (2000).

Wodiczko received the 1999 Port Art Prize for his effort as an artist to fake peace, and the 2004 College Art Association Award for Distinguished Item of Work.